SM After Nearly A Year!

Be that I feel sort of a craving to do the four step and has been feeling such for a few months but this time on a dance platform fronting a dangdut band or that I need to dance on stage. Of course the stage is not high up and loud for all to view but just the little dance floor innermost a dangdut establishment no one knows except the dire fans. Others frequenting will only be inebriated and directionless that they do not know the particular steps to the dances but moving their limbs needlessly and completely out of tunes and steps. Howsoever dangdut emperors need to move harmoniously to beats of dangdut,cha cha and zapin if only to ease what little cravings for wiggles of such. Yet also that they really want to show their stuff to whomever that cares but no one actually does. Yes, dangdut kings are show offs but to no one because the ones that could have interest are only themselves and a few mature dancers accompanying as dangdut has long passed its time and only survives on what little left of nostalgia. Not unlike saying that KayEl (Kuala Lumpur) has forty much before but only four clubs of the same concurrently. And so that Marsha was introduced by Mummy Annie Rock when I requested for a dancing Lass that truly can dance. A mature girl veritably as who else be left in a sphere that was a score or more years ago the most happening but obstinate to not go away when its time expires. But dangdut and what it comprises(other dance genres) is still around and beautiful as it was and still is. Yet we can only remain as to what gravity dictates and piquant outlook that depict of time going its course and not a tad worry about anything else. By and large time doesn't give a hoot yet beauty everlasting - a matter of fact - persists. Of course Marsha is constrained by lines and creases written on the face but her entire being connotes only her esteemed vocation. Meaning she dances as sleek and smooth like her years when tender and delicate and not much can differ her movements to the steps till date. Not that I have known her since long but only my guesses as to her dancing all along. And the very art form: whence a world associated with forms - the ancient philosophers are fond to say - but entirely subjective as Hume mentions yet having little and interim representations of the objective, however, innately subjective - nonetheless:  utters Kant. Indeed beauty still much in the eyes of the beholder. The very form complete with twirls and swirls, a dip, even, at the end of which - the irresistible Cha cha cha performed together - myself and Marsha with her earnestly, studiously and immaculately answering all dance cues with gusto and perfect execution. A very beautiful piece to showcase but no one sees only the orang seni ( art(y) folks if still left and an aging nostalgic always yearning for the old and quaint..